Today it is truly my pleasure to welcome Adrienne deWolfe, author of How to Write Wildly Popular Romances. If you drop by from time to time, you may know how I feel about strong female protagonist. They are a must for me! Well, Adrienne has graciously agreed to write a guest post on this very subject, so I will turn the space over to her. (If you are into ironic coincidences - my eldest two children are named Rafe and Adrianne. Read the post to get the Rafe connection.)
Write Strong Heroines That Readers Can Admire
By Adrienne deWolfe
Thanks to my Texas Trilogy, I developed a reputation for writing strong
heroines that Romance readers can admire.
Before I started writing my debut novel, Texas Outlaw, I came across an article in Romance Writers Report
that touted virginity as a woman's Badge of Honor. While I could
certainly admire female characters that saved themselves for their nuptial
beds, I felt that the rest of Womanhood was being cheated by the Badge
of Honor idea.
In history, as in modern-day life, women fell on hard times.
Providers died; sweethearts went to war; husbands walked away from their
marriage vows. Sometimes, women let their hearts rule their heads
and succumbed to seduction.
Did these circumstances make a woman unlovable?
Not in my mind. In fact, I considered these life experiences
fascinating fodder for creating memorable heroines.
When Fancy Holleday sprang into my mind, I was writing about an era
in which life was cheap and men were far from civilized (American West,
circa 1875.) I envisioned Fancy as a woman who’d been forced
to overcome the stigma of her birth. She could “charm, seduce
or just plain outsmart any man alive.” Although Fancy was no blushing
maid, she yearned to be loved.
When I announced to my published friends that I was writing a Romance
about a heroine who had been born in a whorehouse, and who had been
forced to rob a train to survive, those authors told me that I would
never get Texas Outlaw published.
“Readers want to read about upstanding, virginal (pick your favorite
adjective) heroines,” my published friends told me. “Fancy’s
the kind of character who should be a sidekick.”
Sometimes as an aspiring author, you have to ignore the naysayers
and write the book that’s in your heart.
Fancy became the star of my debut novel. Bantam Books published Texas Outlaw to rave reviews. It became a finalist for two
Rita Awards (Romance Writers of America), and a Reviewer’s Choice
Award (Romantic Times Magazine). Fancy herself
won the Honey of a Heroine Award (West Houston Chapter, RWA.)
Not too shabby for a lady train robber whose story nobody wanted to
read!
When you’re writing characters from other eras, you must strike
a balance between historical accuracy and the sensibilities of the modern
Romance reader. For instance, it’s a sad historical fact that
prostitutes in the American West (1865-1890) were, on average, the age
of 14, and few of those girls survived beyond the age of 18.
But how Romantic is that? (Not very.)
Romance is an optimistic category of fiction. It espouses
values that are important to women: family, home, love, children, community,
career, and spirituality. In genre Romance, a woman is characterized
as “heroic” and is given power over her life. Readers know that
they can open a Romance and find a tale in which the girl gets the guy,
and the guy will treasure her as a woman.
In my online course, How
to Write a Romance Novel That Sells, and in my ebook series, The
Secrets to Getting Your Romance Novel Published, I show writers how to craft memorable characters
~ like Texas Lover’s Rorie Sinclair. A divorcee whose doctor husband
diagnosed her as “barren” before abandoning her. A woman who
opened her heart to a passel of mixed-blood orphans and was fighting
to protect their home from land-grubbing men.
Or a woman like Texas Wildcat’s Bailey McShane. A tomboy. A sheep rancher.
A hot-tempered, gun-toting maverick in blue jeans, who was trying to
keep her childhood friends from starting a range war in drought-stricken
Texas.
The key to writing strong women whom readers can
admire is to give your heroines vulnerabilities. You must show
why a pretty young virgin (Bailey) would burst into a cattlemen’s
saloon, dressed in her daddy’s slouch hat, with his shotgun clutched
under her arm. Why is she mad? What’s she fighting for?
What’s at stake if she fails?
You must also show why a heroine – like Fancy or
Rorie – initially shuns the love that she secretly wants in her life.
Who hurt her? Why hasn’t she healed? What’s her “pay
off” for refusing to love? To raise the emotional stakes even
higher, you must make your heroine sacrifice something before she can
earn her happy ending.
Let me give you an example.
In my fourth award-winning novel, Scoundrel for Hire (ebook
release: Summer 2012), Silver Nichols is a wealthy Aspen socialite.
Raised in poverty in Philadelphia, Silver worked hard to establish her
reputation as an erudite and influential woman among the nouveau riche. That
reputation would be irreparably damaged if she allowed herself to marry
a penniless rogue, who’s running from the law.
But who did I give Silver to love? Wily Rafe
Jones, a Shakespearean actor and con man with a bourbon-smooth Kentucky
drawl. In the novel’s climax, Silver must face the fact that
Rafe’s love is more important to her than wealth, status, and her
upstanding reputation. If she does not accept this truth, Silver
will lose Rafe forever.
Readers buy Romance novels because they want to immerse
themselves in the vicarious thrill of falling in love. The object
of their desire is the hero, but the star of the show is the heroine.
If a reader is going to accept your assignment to
“live” inside the skin of your heroine, reward that reader by writing
a strong woman character that can be admired -- and remembered -- long
after your story ends.
Great post!! Thanks, Adrienne. And here's a little about Ms deWolfe - plus a link to the monthly raffle. Win a set of Adrienne's books by following the link and filling out the rafflecopter.
Thanks, Dana, for the opportunity to introduce myself to your blog readers! I appreciate all that you do on behalf of us novel writers.
ReplyDeleteWarm regards,
Adrienne deWolfe
http://WritingNovelsThatSell.com
You are very welcome, Adrienne.
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